texfash

In Surat’s textile maze, there’s a fast fashion player going sustainable with almost zero minimums, made-to-order fabrics, and size-inclusive garments shipped across India and beyond. Flipping the bulk-first playbook, from one metre to a multi-crore business, Fabcurate’s small-batch smarts with print, cut, stitch, ship is scaling big as it rewrites the e-commerce rulebook.

India’s cotton story is fraying. Once the world’s largest producer, it now harvests less from more. Fields are shrinking, farmers are quitting, and seeds have stood still. The crop that once wove India’s textile strength now risks unravelling under policy paralysis, poor yields, and disjointed priorities from farm to factory.

From a 90-day credit norm to 250 and counting, India’s textile market has turned into a waiting game. One jolt followed another — demonetisation, GST, lockdowns, wild cotton swings. Through it all, Gujarat’s textile heartland endures, with traders and manufacturers like Gaurang Bhagat and his LB Tex battling to keep India’s fabric trade from tearing apart.

A riven industry, dumping from China, GST mismatch, need for a uniform countrywide textile policy, the scourge that is fake billing — in spite of it all and more, the enormous potential that this ancient warpwork holds is shackled by systemic inefficiencies, implores Gaurang Bhagat, Treasurer at the Gujarat Chamber of Commerce and Industry (GCCI) and Founder of the ₹1000-crore LB Tex.

Surat-based Man Made Textiles Research Association or MANTRA is one of the eight national level Textiles Research Associations (TRAs) and one among the leading in man-made fibres. While the key focus is the textile industry in the synthetic capital of the country, it works on the overall textile development and on technical textiles in general. In conversation with Director Dr Arup Rakshit.

From bootstrapped beginnings to a ₹230 crore powerhouse, the True Colors story is far from over. Having mastered the art of resilience, the company is now writing its next chapter — one defined by expansion, innovation, and self-reliance. This is the second and concluding part of the story.

From borrowed ₹4 lakh at a 10x15 feet leased basement to a sweeping 2,00,000 square feet with a turnover of around ₹230 crore, Surat-headquartered True Colors Ltd delivers a vertically integrated ecosystem for digital fabric printing, from machinery to sublimation paper, inks, printing services and countrywide support. Read the journey of a start-up as it navigated the choke points to emerge as a cutting force with a country wide imprint.

Where does design fit in the textile-fashion hierarchy? The warp in crafts and livelihood, and the missing weft of innovation. Why has Indian design fallen short of its promise on the global platform? Dr Mihir Bholey, former Principal Faculty, Interdisciplinary Design Studies, Science and Liberal Arts at the National Institute of Design (NID), discusses it all and more in this freewheeling conversation.

Commercial printing has operated the same way for decades, but a partnership between three Colorado companies, led by Living Ink Technologies, announced claims to have achieved something unprecedented: successfully replacing petroleum-based carbon black with algae waste in full four-colour commercial printing. The breakthrough represents the first time bio-based pigment has proven viable for high-volume CMYK applications.

The Kolhapuri chappal—a timeless symbol of Indian craftsmanship—is in the news and for all the wrong reasons. But behind the buzz lies a story of decline: collapsing artisan networks, synthetic clones, policy failure, and raw material bottlenecks. As younger generations abandon the trade and fake lookalikes flood the market, this once-thriving rural industry is fast unravelling.